In literature, rodomontade is employed to signify extravagant boasting and bombastic language that often lacks genuine substance. Its use ranges from depicting theatrical, empty bravado to critiquing outlandish political rhetoric, as when grand speeches are dismissed as nothing more than unfounded assertions [1] or when a character’s talk is deemed mere castles in the air [2]. The word also conveys a sense of ironic exaggeration—highlighting the gap between grandiloquent promises and real action—whether in historical narratives of revolutionary hubris [3] or in lively social discourse marked by over-the-top self-promotion [4]. In each instance, rodomontade functions as a succinct label for language that, while striking, ultimately falls short of veracity or purpose [5].