In literature, the term "replica" is multifaceted, used to suggest imitation, derivation, or an aspect of a greater whole. For instance, Santayana employs the word to emphasize that while something may be reliable, it remains no true counterpart to a higher or more original existence ([1]). In another context, Webster uses "replica" to underscore how certain historical figures or representations, like the Marquis de Sade, embody derivative qualities intertwined with negative, controversial traits ([2]). Finally, Durkheim integrates the term in a metaphysical sense, describing one part of the soul as a replica or emanation of another, thereby highlighting the concept's role in expressing complex ideas about identity and existence ([3]).