The term redux, derived from the Latin for “brought back,” is often used in literature to convey a sense of return or revival—whether of characters, themes, or eras. It appears prominently as a title element, as seen in works like Dryden’s Astræa Redux [1] and Trollope’s Phineas Redux [2, 3], where it not only denotes the continuation or reawakening of a narrative but also evokes a deeper restoration of order or justice. In Latin poetry and historical inscriptions, redux underscores the reemergence of figures or moods, such as in Rex Redux and Carolus redux [4, 5, 6], reinforcing its dual function as both a literal and symbolic device for marking comebacks within and beyond their original contexts.