The word "pyrotechnic" has been employed in literature to evoke both a literal and metaphorical explosion of imagery and meaning. In Oscar Wilde's work, particularly in the recurring refrain spoken by a Bengal Light ([1], [2], [3]), the term is rendered almost whimsically, marking identity and adding a playful, almost self-aware twist to the narrative structure. In contrast, Thomas Jefferson's mention of "pyrotechnic manipulations" ([4]) hints at a more vigorous, dynamic connotation, perhaps reflecting a sense of transformative or uncontrolled power. Sinclair Lewis further adds to this multifaceted portrayal by describing an event as coming with a "pyrotechnic crash" ([5]), which suggests not only a dazzling display but also an abrupt, impactful climax. Together, these examples underscore the term's versatility, oscillating between ornate literary flourish and potent, forceful imagery.