The term “prohibition” in literature is utilized in a remarkably diverse range of contexts—from legal restrictions and state policies to cultural taboos and psychological constraints. In sociological and historical texts, for instance, authors discuss prohibition as a legal or societal measure enacted to control behavior, as seen in works examining societal reforms and temperance movements ([1], [2], [3]). At the same time, prohibition is rendered as a cultural or religious injunction—one that colors interpersonal relationships and ritual conduct—as explored by Durkheim and Freud, who examine prohibitions ranging from incest taboos to the restrictions on contact with totems ([4], [5], [6]). Moreover, in novels and narratives, prohibition often emerges as an obstacle or a character’s counterpoint to authority, whether through overt bans or more subtly imposed limits on behavior and desire ([7], [8], [9]). Thus, across genres and disciplines, “prohibition” functions as a symbol of both societal control and the inherent tension between individual impulses and collective norms.