The term "prognosticate" has been employed in literature to convey not only the act of forecasting future events but also to imbue statements with irony and nuanced emotion. In Mary Wollstonecraft Shelley’s works, for example, the word surfaces repeatedly to question the nature of predictions—whether they signal genuine hope for peace or serve as a subtle ridicule towards personal misfortune ([1], [2], [3]). François Rabelais uses it in Gargantua and Pantagruel to denote both a literal and confident foretelling of battle outcomes and the lighthearted assurance against melancholy ([4], [5]). The term is also wielded with a touch of satire in John Arbuthnot’s and Charles Mackay’s narratives, where it underscores an almost absurd certitude in the fate of a scoundrel gaining a principality or even in the whimsical association of fruit with pleasant company ([6], [7]). Moreover, authors like Emily Brontë and George Eliot extend its usage to predict personal states—ranging from minor ailments to the ultimate fate of death—thus highlighting its versatility as a literary tool for both serious prognostications and ironic commentary ([8], [9]).