The term “plaintiff” in literature has been employed far beyond its strict legal definition, often serving as a narrative device to highlight conflict, irony, or social commentary. In some works, such as Freud’s exploration of familial strife ([1], [2]) and Oscar Wilde’s narrative settings ([3]), the plaintiff represents a figure caught in a web of personal and societal injustice. In fables and satirical texts—seen in Aesop’s clever tales ([4], [5], [6], [7], [8], [9], [10], [11], [12], [13], [14]) and even in Milton’s epic verse ([15])—the plaintiff is sometimes portrayed humorously or paradoxically, embodying both the victim and the manipulator in legal and moral conflicts. This multiplicity of roles is further exemplified in historical and baroque narratives by authors like Henry Fielding and Adam Mickiewicz ([16], [17]), as well as Coleridge’s reflective statements ([18], [19]), where the plaintiff stands as a symbol of the broader struggles inherent in navigating justice. Overall, the usage of “plaintiff” across these varied literary genres demonstrates its evolution into a versatile metaphor for human discord and societal imbalance ([20], [21], [22], [23], [24], [25], [26], [27]).