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Literary notes about Picture (AI summary)

The word "picture" in literary texts serves multiple functions, ranging from the literal depiction of a tangible image to the metaphoric evocation of character and mood. It often denotes an actual object—a painted portrait or printed image—as seen when a photograph is carefully placed in an album ([1]) or when an ornate portrait is hung on a wall ([2], [3]). At the same time, authors use it to capture abstract qualities; a character may be described as “the express picture of contented industry” ([4]) or as embodying a “picture of ruin” in a dilapidated setting ([5]). Additionally, "picture" extends to the realm of the imagination, providing a visual blueprint that helps readers internalize broader themes or evoke idealized visions, such as when one is invited to “picture her to yourself” ([6]) or when imagination “cannot picture the dreariness of the scene” ([7]). In this way, literature uses "picture" both to ground narrative details and to paint vivid scenes in the mind’s eye.
  1. Then she placed the labels next to the picture, closed the album, and carefully fastened the adjustable clasp.
    — from The Best Short Stories of 1917, and the Yearbook of the American Short Story
  2. My wife having been this day with Hales, to sit for her hand to be mended, in her picture. 29th.
    — from The Diary of Samuel Pepys — Complete by Samuel Pepys
  3. The artist who could have depicted the expression of these two countenances would certainly have made of them a beautiful picture.
    — from The Count of Monte Cristo by Alexandre Dumas and Auguste Maquet
  4. 'My dear Mortimer, you are the express picture of contented industry, reposing (on credit) after the virtuous labours of the day.'
    — from Our Mutual Friend by Charles Dickens
  5. In one of these wings the windows were broken, and blocked with wooden boards, while the roof was partly caved in, a picture of ruin.
    — from Adventures of Sherlock Holmes by Arthur Conan Doyle
  6. Picture her to yourself, and ere you be old, learn to love and pray!
    — from Vanity Fair by William Makepeace Thackeray
  7. Imagination cannot picture the dreariness of the scene.
    — from Twelve Years a Slave by Solomon Northup

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