The use of the word "phonic" in literature often emphasizes a deep connection between written symbols and spoken language. In James Joyce's Ulysses, for instance, "phonic" is closely tied to a comparison between glyphic images and oral expression, suggesting that sound underpins the depiction of language in his work [1]. Similarly, Mark Twain’s reference to Burnz's Phonic Shorthand in What Is Man? and Other Essays highlights a more systematic, almost scientific approach to representing language through an alphabet grounded in sound [2]. This juxtaposition of artistic and pragmatic interpretations illustrates the versatility of the term within literary contexts.