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Literary notes about One (AI summary)

The word "one" plays a multifaceted role in literature, serving both as a numeral and as a pronoun to denote singularity, identity, or a general truth. It often highlights uniqueness or unity, as in the portrayal of togetherness when two become "one flesh" [1] or when expressing individual distinction in phrases like "you are the one person" [2]. It can mark order or sequence, pointing out a specific instance or location—compare the subtle differentiation in "the block is not like the one over on the East Side" [3] with the narrative marker "one day" that signals change [4]. Moreover, in more reflective or philosophical contexts, "one" stands in for a universal or generalized individual, as seen in the contemplation of personal exceptionality [5]. Through these varied uses, the term enriches linguistic texture by fluidly moving between the concrete and the abstract.
  1. Therefore now they are not two, but one flesh. 10:9.
    — from The Bible, Douay-Rheims, Complete
  2. You are the one person in London I really like to have to listen to me.
    — from An Ideal Husband by Oscar Wilde
  3. The block is not like the one over on the East Side in which I actually lost my way once.
    — from How the Other Half Lives: Studies Among the Tenements of New York by Jacob A. Riis
  4. But one day, a great change came over Blockey and he began to train his will.
    — from Boy Scouts Handbook by Boy Scouts of America
  5. Whatever attitude, thus, one may assume, one is, as a result of this attitude, an exception among mankind.
    — from Human, All Too Human: A Book for Free Spirits by Friedrich Wilhelm Nietzsche

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