The term "outlaw" is employed in literature with an intriguing blend of romantic valor, social critique, and legal designation. In several medieval romances, such as Walter Scott's Ivanhoe ([1], [2], [3], [4]), the outlaw emerges as a complex figure—sometimes heroic, sometimes rebellious—whose status challenges conventional norms. Similarly, Howard Pyle’s Robin Hood narratives ([5], [6], [7], [8], [9], [10], [11], [12], [13]) use the term to evoke both admiration and the thrill of defiance against authority, emphasizing a dual identity as both noble and renegade. In contrast, other authors, including Victor Hugo ([14], [15]) and historical texts like those by Thucydides ([16]) and Snorri Sturluson ([17], [18]), apply "outlaw" more stringently as a label for those outside the law, whether for treason or moral dishonor. Even modern literary reflections, such as those found in Freud’s analysis ([19]) or in subversive writings ([20]), reveal an evolving usage that mirrors societal tensions and the allure of living beyond prescribed boundaries.