In literature, the term "mystification" appears as a versatile device—sometimes signifying the deliberate concealment or distortion of truth, while at other times serving as a metaphor for confusion and pretense. For instance, in Fyodor Dostoyevsky’s work, the phrase is used to indicate a moment when a character consciously sets aside any air of ambiguity or deception ([1]). Edgar Allan Poe employs the term repeatedly to illustrate both absurd and elaborate instances of artifice, ranging from fabricated affidavits ([2], [3]) to an overall whimsical manipulation in tone ([4], [5]), while John Buchan portrays characters who perform mystification as if it were an act or role with calculated finesse ([6]). Additionally, mystification may extend to more physical or narrative surprises, as seen in the sudden appearance of a barking dog that completes a character’s mystified state in folklore ([7]), or it is invoked to critique manipulative strategies of leadership, as highlighted in the ancient treatise of Sunzi on the art of war ([8]). Across these examples, mystification is never merely decorative language but a tool that underscores themes of deception, identity, and the blurred lines between reality and performance.