The term "multiform" is used across literature to accentuate variety and complexity, often evoking images that range from physical to metaphorical diversity. In works by Poe, for instance, it appears to depict both tangible forms and elusive facets of thought, as seen when describing phenomena that are "manifold but multiform" and even in the portrayal of the earth’s “wretchedness” ([1], [2], [3], [4]). In classical texts, Plato employs "multiform" to criticize excesses, likening them to a monstrous, ever-changing presence ([5], [6]). Beyond these, the term also frames discussions of natural beauty—a spectrum of “multiform and multicolor” found in nature ([7], [8])—and extends to characterize human activity, both physical and intellectual, in sociological contexts ([9], [10]). This diverse usage underscores literature’s recurring reliance on "multiform" to express a dynamic interplay of varied elements within both the world and the human mind.