The term “morning” in literature functions both as a straightforward marker of time and as a symbol loaded with emotional and narrative significance. In many instances, it simply sets the scene for daily routines or historical events—as when a school day begins [1], or detailed schedules and tasks unfold from early hours [2], [3], [4]. Yet, morning also frequently carries connotations of renewal and transition; its arrival often signals fresh beginnings, as in the calm promise of dawn in nature’s rebirth [5], or the turning point before dramatic actions take place [6], [7]. In works spanning genres and eras—from the poignant rhythms of personal memoirs [8], [9] to the tension-filled preludes of conflict and mystery [10], [11]—“morning” is used to denote both literal time and a metaphorical space for change. Thus, by invoking the image of the morning, authors create a layered landscape of hope, routine, and inevitable transformation.