The term "modality" is employed across literary works to denote both abstract classifications and expressive qualities of experience. In philosophical discourse, it is treated as an essential category—integral to analyses of judgment, possibility, necessity, and the nature of existence—as seen in discussions by thinkers such as Kant and Spinoza ([1], [2], [3]). Meanwhile, in literary narratives like Joyce’s Ulysses, modality emerges as a perceptual quality that shapes how we see and hear the world, reflecting an inescapable feature of sensory engagement ([4], [5], [6]). Additionally, modality is invoked to explore social and aesthetic processes, serving as a tool to interrogate the manner in which ideas, emotions, and cultural practices manifest across different realms of thought ([7], [8]).