The word "mite" has long been employed in literature as a multifaceted term, evoking both a sense of minuteness and a measure of modest contribution. In classic narratives, for example, authors like L. M. Montgomery ([1], [2], [3], [4], [5], [6]) and Louisa May Alcott ([7], [8], [9], [10]) use "mite" to suggest a small, yet significant, quantity—whether in reference to a morsel of food or a token of affection—while in satirical and moral essays by Alexander Pope ([11], [12], [13], [14]) it poetically underscores the idea that even the smallest part should not be robbed. Similarly, in works ranging from Aesop’s fables ([15]) to Chekhov’s short stories ([16], [17], [18]) and even in historical and social commentary ([19], [20], [21]), the term carries a dual imagery of physical diminutiveness and symbolic worth. Thus, across a wide swath of literary genres, "mite" persistently resonates as both an indicator of literal smallness and a metaphor for the humble contributions that cumulatively make a significant impact.