The word “meander” assumes a range of functions in literature, often evoking a sinuous, wandering motion or path. In some works it describes the natural, curving flow of water or the labyrinthine structure of streets, as seen in passages that note a river’s graceful twist or urban thoroughfares that “meander” ([1], [2], [3]). In other texts the term captures the idea of aimless movement or digressive thought, conveying both physical and mental wandering in characters’ journeys ([4], [5], [6]). Additionally, “meander” appears as a proper noun in dramatic literature—most notably within the works of Christopher Marlowe—where the name is imbued with symbolic weight and used to underscore themes of unpredictability and authority ([7], [8], [9]). Its presence even extends to the realm of decorative arts through patterns that echo a continual, ornamental twist reflective of classical Greek design traditions ([10], [11], [12]).