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Literary notes about Mead (AI summary)

The word "mead" appears in literature with a fascinating duality, serving both as an ingredient in culinary texts and as a symbol rich in myth and celebratory tradition. In ancient cookery manuals such as those by Apicius ([1], [2], [3], [4], [5]) mead is discussed in practical contexts, often mixed with other ingredients for both food and drink. Meanwhile, in epic and mythological texts—from the mythic mead of poetry in The Younger Edda ([6], [7], [8], [9], [10], [11], [12], [13], [14], [15], [16], [17], [18]) to its role as a festive beverage in Beowulf ([19], [20], [21], [22], [23]) and Scandinavian sagas ([24], [25], [26], [27])—mead is imbued with symbolic importance, evoking images of divine feasting, heroic banquets, and the transformative power of art and song. Even in later literary works such as those by Thomas Hardy ([28], [29], [30], [31], [32], [33], [34]) and James Joyce ([35], [36]), mead serves as a nuanced metaphor, highlighting moments of both communal warmth and introspective melancholy. This broad usage underscores mead’s enduring presence as an element that bridges tangible sustenance with the lofty realms of myth and human experience.
  1. [1] Dann. mead.
    — from Cookery and Dining in Imperial Rome by Apicius
  2. [1] YOLKS, HONEY, MEAD, VINEGAR, BROTH AND OIL. STIR WELL WITH SATURY AND LEEKS
    — from Cookery and Dining in Imperial Rome by Apicius
  3. [182] HONEY PAP SIMILITER HONEY AND MEAD ARE TREATED SIMILARLY, MIXED WITH MILK, WITH THE ADDITION OF SALT AND A LITTLE OIL.
    — from Cookery and Dining in Imperial Rome by Apicius
  4. [2], ONIONS, STONED DAMASCUS PRUNES, WINE, MEAD, VINEGAR, REDUCED MUST AND OIL; COOK IT
    — from Cookery and Dining in Imperial Rome by Apicius
  5. [413] ANOTHER METHOD ALITER [ IN ] ECHINO PEPPER, A LITTLE COSTMARY, DRY MINT, MEAD, BROTH, INDIAN SPIKENARD, AND [bay or nard] LEAVES.
    — from Cookery and Dining in Imperial Rome by Apicius
  6. Suttung brought the mead home with him, and hid it in a place called Hnitbjorg.
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  7. Mead drinks Mimer Every morning From Valfather’s pledge.
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  8. The mead was very strong, and they drank deep.
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  9. But he agreed to go with Bolverk and try whether they could get the mead.
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  10. An auger used by Odin in obtaining the poetic mead.
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  11. One of the three jars in which the poetic mead is kept.
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  12. 5. Then remarked Æger: It seems dark to me to call songship by these names; but how came the asas by Suttung’s mead?
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  13. They mixed honey with the blood, and thus was produced such mead that whoever drinks from it becomes a skald and sage.
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  14. He offered to undertake 163 the work of the nine men for Bauge, but asked in payment therefor a drink of Suttung’s mead.
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  15. Father of Suttung, who possessed the poetic mead.
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  16. She then promised to give him three draughts from the mead.
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  17. When Odin reached Asgard, he spewed the mead up into the jars.
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  18. The giant possessing the poetic mead.
    — from The Younger Edda; Also called Snorre's Edda, or The Prose Edda by Snorri Sturluson
  19. [69] The troop was in joyance; mead-glee greater ’Neath arch of the ether not ever beheld
    — from Beowulf: An Anglo-Saxon Epic Poem
  20. Oft Scyld the Scefing from scathers in numbers 5 From many a people their mead-benches tore.
    — from Beowulf: An Anglo-Saxon Epic Poem
  21. .—The great mead-hall which King Hrothgar builds.
    — from Beowulf: An Anglo-Saxon Epic Poem
  22. 3 Hrothgar’s Great Mead-Hall Grendel, the Murderer (III.)
    — from Beowulf: An Anglo-Saxon Epic Poem
  23. [1] ‘ Meodu-scencum ’ (1981) some would render ‘ with mead-pourers .’
    — from Beowulf: An Anglo-Saxon Epic Poem
  24. The king walked up and down the floor casting his eye along the benches; for he had a feast in the house, and the mead was just mixed.
    — from Heimskringla; Or, The Chronicle of the Kings of Norway by Snorri Sturluson
  25. There stood Snaefrid, the daughter of Svase, a most beautiful girl; and she filled a cup of mead for the king.
    — from Heimskringla; Or, The Chronicle of the Kings of Norway by Snorri Sturluson
  26. Then some men met them who were riding to the town with mead and malt.
    — from Heimskringla; Or, The Chronicle of the Kings of Norway by Snorri Sturluson
  27. He shall go who is able Bravely to banquet, when the bright-light of morning On the second day, any warrior may go unmolested to the mead-banquet.
    — from Beowulf: An Anglo-Saxon Epic Poem
  28. CHAPTER XXVI SCENE ON THE VERGE OF THE HAY-MEAD "Ah, Miss Everdene!" said the sergeant, touching his diminutive cap.
    — from Far from the Madding Crowd by Thomas Hardy
  29. The sergeant looked down the mead in critical abstraction.
    — from Far from the Madding Crowd by Thomas Hardy
  30. " She went out towards the mead, joining the other milkmaids with a bound, as if trying to make the open air drive away her sad constraint.
    — from Tess of the d'Urbervilles: A Pure Woman by Thomas Hardy
  31. and I thought there wasn't a blade left in that mead!"
    — from Tess of the d'Urbervilles: A Pure Woman by Thomas Hardy
  32. The spectral, half-compounded, aqueous light which pervaded the open mead impressed them with a feeling of isolation, as if they were Adam and Eve.
    — from Tess of the d'Urbervilles: A Pure Woman by Thomas Hardy
  33. "Ah—no; though that mead was a drop of pretty tipple.
    — from Tess of the d'Urbervilles: A Pure Woman by Thomas Hardy
  34. " "Of course," said Angel cheerfully, looking round for the mead.
    — from Tess of the d'Urbervilles: A Pure Woman by Thomas Hardy
  35. Mead of our fathers for the Übermensch.
    — from Ulysses by James Joyce
  36. Now drink we, quod he, of this mazer and quaff ye this mead which is not indeed parcel of my body but my soul’s bodiment.
    — from Ulysses by James Joyce

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