The word “making” in literature is showcased as a versatile tool that functions as both an indicator of physical action and a metaphor for broader creative or transformative processes. In many instances, “making” describes tangible movements or gestures, as in Cyrano’s flamboyant noise‐making with weird gestures ([1]), a polite bow ([2]), or making one’s way through a crowd ([3]). It is also employed to denote production or craftsmanship—from the art of making coffee with precise care ([4], [5]), to the literal creation of objects like nests ([6]) or vessels ([7]), and even to articulate the process of constructing addresses or plans for the future ([8], [9]). Furthermore, “making” can carry a figurative meaning, implying transformation or the gradual unfolding of events as characters navigate their world, such as making conquests ([10]) or insuring happiness without traditional bonds ([11]). This range of usage underscores the word’s ability to bridge concrete actions with abstract ideas, enriching narrative texture across genres.