Literary notes about MODERN (AI summary)
The term "modern" functions as a versatile signifier in literature, often contrasting the present with the ancient or traditional. It appears as a marker of temporal and cultural distinction, designating contemporary geographical sites or urban features (such as near the modern Cape Coloni [1] or the modern city of Gubbio [2]) and architectural styles that denote current trends (as seen in the modern, airy edifice [3]). At the same time, it frequently expresses shifts in thought, from changes in legal or political practices (as in modern legislatures [4]) to evaluations of contemporary disciplines like psychology [5] and philosophy [6]. In discussions of style and identity, the word can carry both celebratory and critical tones, capturing the tension between innovation and continuity, a nuance similarly observed in references to modern writers and cultural practices [7] and embodied in calls to meet modern requirements [8].
- 4089 Supposed to have been situate near the modern Cape Coloni.
— from The Natural History of Pliny, Volume 1 (of 6) by the Elder Pliny - Its site is occupied by the modern city of Gubbio.
— from The Natural History of Pliny, Volume 1 (of 6) by the Elder Pliny - The next remarkable object was a large edifice, constructed of moss-grown stone, but in a modern and airy style of architecture.
— from Mosses from an old manse by Nathaniel Hawthorne - That this method is virtually coming in vogue we can see by the minority groups of modern legislatures.
— from Darkwater: Voices from Within the Veil by W. E. B. Du Bois - But this is not the case, and it is for this reason that the results of modern psychology have remained practically unproductive.
— from Criminal Psychology: A Manual for Judges, Practitioners, and Students by Hans Gross - There is a great deal in modern philosophy which is inspired by ancient.
— from Meno by Plato - Yet from a very paltry prejudice, the greater number of our modern writers abuse Herodian, and copy the Augustan History.
— from The History of the Decline and Fall of the Roman Empire by Edward Gibbon - [3] A disciple of Schopenhauer who blunted the sharpness of his master's Pessimism and who watered it down for modern requirements.—TR.
— from The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichrist by Nietzsche