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Literary notes about MODERN (AI summary)

The term "modern" functions as a versatile signifier in literature, often contrasting the present with the ancient or traditional. It appears as a marker of temporal and cultural distinction, designating contemporary geographical sites or urban features (such as near the modern Cape Coloni [1] or the modern city of Gubbio [2]) and architectural styles that denote current trends (as seen in the modern, airy edifice [3]). At the same time, it frequently expresses shifts in thought, from changes in legal or political practices (as in modern legislatures [4]) to evaluations of contemporary disciplines like psychology [5] and philosophy [6]. In discussions of style and identity, the word can carry both celebratory and critical tones, capturing the tension between innovation and continuity, a nuance similarly observed in references to modern writers and cultural practices [7] and embodied in calls to meet modern requirements [8].
  1. 4089 Supposed to have been situate near the modern Cape Coloni.
    — from The Natural History of Pliny, Volume 1 (of 6) by the Elder Pliny
  2. Its site is occupied by the modern city of Gubbio.
    — from The Natural History of Pliny, Volume 1 (of 6) by the Elder Pliny
  3. The next remarkable object was a large edifice, constructed of moss-grown stone, but in a modern and airy style of architecture.
    — from Mosses from an old manse by Nathaniel Hawthorne
  4. That this method is virtually coming in vogue we can see by the minority groups of modern legislatures.
    — from Darkwater: Voices from Within the Veil by W. E. B. Du Bois
  5. But this is not the case, and it is for this reason that the results of modern psychology have remained practically unproductive.
    — from Criminal Psychology: A Manual for Judges, Practitioners, and Students by Hans Gross
  6. There is a great deal in modern philosophy which is inspired by ancient.
    — from Meno by Plato
  7. Yet from a very paltry prejudice, the greater number of our modern writers abuse Herodian, and copy the Augustan History.
    — from The History of the Decline and Fall of the Roman Empire by Edward Gibbon
  8. [3] A disciple of Schopenhauer who blunted the sharpness of his master's Pessimism and who watered it down for modern requirements.—TR.
    — from The Twilight of the Idols; or, How to Philosophize with the Hammer. The Antichrist by Nietzsche

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