Across a wide range of literary works, the term "logic" emerges in multifaceted and sometimes contrasting roles. In some texts it is celebrated as the rigorous framework of thought—almost a divine or pure science of reasoning, as seen in its mathematical and systematic applications ([1], [2], [3])—while in others it is depicted more playfully or even critically, exposed for being too rigid or limited when confronted with human passion and unpredictability ([4], [5], [6]). Some authors invoke classical traditions from Plato ([7], [8]) and Kant ([9], [10], [11]) to underline its role in forming philosophical and ethical systems, whereas others like William James and Stendhal suggest that logic has boundaries when pitted against personal faith and emotion ([12], [13], [14], [15]). The term even ventures into metaphorical terrain, at times serving as an ironic commentary on human affairs or natural phenomena—ranging from the pragmatic acknowledgment of societal forces ([16]) to whimsical references in literature such as Lewis Carroll’s terse affirmation ([17]). In other instances, "logic" is used to critique the limitations of formal reasoning in capturing the complexities of life, hinting that sometimes it is the very absence of rigid logic that best explains the human condition ([18], [19], [20]). Thus, literature employs the term "logic" not only as a marker of clear thought but also as a prism through which to explore the paradoxes and subtleties of human existence ([21], [22], [23]).