The word “limit” functions in literature as a multifaceted concept that can denote both physical boundaries and abstract parameters. Authors use it to demarcate moral or conceptual borders; as Schopenhauer illustrates, the sharp line separating right from wrong ([1]), while Shakespeare employs it to evoke the inexpressible bounds of emotion and fate ([2], [3]). In narrative contexts, “limit” may describe temporal confinement, such as the finite nature of time in D. H. Lawrence’s work ([4]), or spatial demarcation, from maritime liability in the Middle Ages ([5]) to the physical extent of one’s vision ([6]). It also lends a metaphorical weight to discussions of potential and aspiration, suggesting either an imposed constraint or a threshold to be surpassed—as seen when creative endeavors are portrayed as boundless ([7]) or when a person's ambitions are depicted as destined to break through conventional confines ([8]). This rich versatility reveals the term’s capacity to both restrict and define, imbuing literary works with layers of meaning regarding limitation and possibility.