The term “landscape” in literature is remarkably versatile, functioning not only as a description of the physical world but also as a metaphor for internal and societal states. In some works the word paints vivid, natural vistas—a field of health and color in a pastoral setting ([1]) or the broad, shifting canvases of nature that evoke both freedom and melancholy ([2], [3]). In other texts, however, it carries dramatic, almost cinematic qualities, depicting scenes where natural elements act as catalysts for change, as in the explosive alterations that transform the environment into a dynamic diorama ([4], [5]). Beyond its literal use, “landscape” frequently assumes a symbolic role, representing human creativity and even mechanization, where it stands in for constructed or ideological backdrops ([6], [7]). Overall, the multifaceted use of “landscape” deepens narrative texture, inviting readers to consider both the tangible world and the abstract realms of emotion and culture.