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Literary notes about LED (AI summary)

The word “led” is remarkably versatile in literature, often functioning as both a literal indicator of movement and a metaphor for influence or consequence. In many narratives, characters are physically guided to a place or situation—consider Rachel being led toward the city ([1]) or Van Helsing leading the way ([2])—while in other contexts, “led” exposes the underlying causes of an event, as when certain ideas lead someone to act in a particular manner ([3], [4]). Historical and heroic texts further employ “led” to emphasize decisive military actions or journeys of transformation, such as charges in battle ([5], [6]) or the navigation through significant landmarks ([7], [8]). Thus, from guiding footsteps to shaping destinies, “led” carries both tangible and abstract meanings, enriching the narrative by connecting actions with their broader implications.
  1. Rachel led her friend toward the city, and, coming to the mechanics' quarter, stopped before the door of a small, old house.
    — from Work: A Story of Experience by Louisa May Alcott
  2. We all kept somehow close together, with Van Helsing slightly in front as he led the way.
    — from Dracula by Bram Stoker
  3. Had you said from the beginning what ideas exactly led you to drag me from Petersburg, I should have known.
    — from The Lady with the Dog and Other Stories by Anton Pavlovich Chekhov
  4. This led to a very long conversation in which he suddenly seemed to take great interest.
    — from Sybil, Or, The Two Nations by Earl of Beaconsfield Benjamin Disraeli
  5. At the battle of Makri he had led the charge of cavalry, and pursued the fugitives even to the banks of the Hebrus.
    — from The Last Man by Mary Wollstonecraft Shelley
  6. But it is impossible to determine who this Dionysus 623 was, and at what time, or from what quarter he led an army against the Indians.
    — from The Anabasis of Alexander by Arrian
  7. He spoke, and led tall Aeneas under the low roof of his narrow dwelling, and laid him on a couch of stuffed leaves and the skin of a Libyan she-bear.
    — from The Aeneid of Virgil by Virgil
  8. It led inland, and it led up.
    — from Martin Eden by Jack London

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