The word “leaving” is used in literature as an elegant operative to indicate both literal departures and the more nuanced emotional or situational consequences of that departure. In historical narratives, it marks the end of an era or the passing of a legacy, as seen when King Alver dies, leaving his sons behind [1]. In novels, the term often sets a tone for what remains in the wake of departure; for instance, Dostoyevsky describes a character leaving Sonia in a state of anxious wonder [2], while Hardy uses it to underscore moments of transition and isolation when a character’s action leaves another in uncertainty or darkness [3], [4]. Additionally, in adventure and epic tales, “leaving” signals the commencement of a journey or a strategic maneuver, such as when men depart their positions to secure a bridge [5] or when strategic retreats are detailed with clinical precision [6]. In each usage, whether marking a physical exit, an emotional void, or a pivotal moment of change, “leaving” encapsulates the notion of what is forsaken or what lingers as a consequence.