The term "inversion" in literature is employed both as a device that reverses order and as a metaphor for deeper transformations. In some texts, it refers to a reversal of roles or situations that turn back on their originator—a notion well articulated when Bergson describes situations that recoil on the author ([1]) and as an inversion of common sense observed in various contexts ([2], [3]). In other cases, inversion is used to create playful distortions or antitheses in language, as seen in Galdós's clever wordplay ([4]) and Boccaccio’s jesting inversion of a word's meaning ([5]). Moreover, its use extends to structural manipulations, such as the reordering in dream sequences reported by Freud ([6], [7]) and even to musical arrangements where chords are transferred between orchestral groups ([8], [9]). Philosophical and political discourses sometimes employ inversion to critique established orders or expectations, such as the inversion of social relations in Plato’s work ([10]) or the ironic inversion in political ideals noted by Chesterton ([11]). This multifaceted use highlights inversion as a powerful tool for challenging norms, creating irony, and exploring unexpected reversals throughout literary and analytical works.