The word "into" in literature is used with remarkable versatility, often to signal a transition, transformation, or movement from one state to another. In many canonical texts it functions not only in its literal sense—for example, characters being dragged or entering a physical space, as in [1] or [2]—but also in more abstract or metaphorical contexts. Authors use it to indicate a metamorphosis or change of identity, as seen when a character becomes something entirely new in [3] or transforms into another form in [4]. At times, "into" marks the process of entering a new state of mind or condition, exemplified by the subtle shifts noted in [5] and [6]. Even in historical or theological documents, as with [7] and [8], "into" conveys transitions that are as much spiritual or ideological as they are physical. Thus, "into" serves as both a navigational tool and a literary bridge, guiding readers through the layered journeys of characters and ideas alike.