The term "interrogate" in literature has been employed with a rich variety of senses, both literal and metaphorical. In some works, such as Proust's narrative ([1]), it is used to convey a profound, almost philosophical inquiry—questioning the very omens and mysteries of the heavens—while in Plato's Republic ([2], [3], [4], [5]) it becomes a tool for examining revered texts and the nature of discourse itself. Meanwhile, in adventure and mystery novels like The Count of Monte Cristo ([6], [7], [8], [9], [10], [11], [12], [13]) and The Three Musketeers ([14], [15], [16], [17], [18]), the word is deployed in contexts of direct confrontation and investigative scrutiny, where characters are either urged to answer or to assess others critically. Even in more casual settings, as found in George Eliot’s Middlemarch ([19]) and Pushkin’s Eugene Oneguine ([20]), "interrogate" retains its essence of challenging and questioning, underscoring how the term bridges both the contemplative and the confrontational throughout literary history.