The term "interloper" has been wielded by authors to evoke a sense of unwelcome intrusion and discord. Emerson uses the word to denote a figure who trespasses into a realm where he evidently does not belong, hinting at a societal or personal misfit [1]. Whitman, in contrast, casts the interloper as a gloomy, taciturn presence that lingers despite the passage of time [2]. Poe introduces a striking, unexpected twist by describing a "feminine interloper," using the term to underscore the character’s surprising and disruptive nature [3]. Du Bois portrays the interloper as an object of disdain—a burden one is eager to rid oneself of—even if only temporarily [4]. Finally, Brontë intensifies the hostility associated with the word by coupling it with a bitter curse, thereby underlining an aggressive repudiation of the intrusive presence [5].