The word "inauspicious" has often been employed in literature as an indicator of impending misfortune or unfavorable circumstances. For instance, Alexandre Dumas' works use it to mark a sequence of events with negative undertones, as seen when a character reflects on "events that had passed; they were numerous and inauspicious" [1] and when praising triumphant returns is contrasted with the risk of ill omens [2]. In another context, ambition itself is critiqued by suggesting that inactive days are unproductive or even unlucky, as noted in Milady’s characterization [3]. François Rabelais similarly employs the term to forewarn of an unfortunate marriage, thereby linking personal milestones with adverse fate [4]. Beyond narrative descriptions, authors like Victor Hugo and Paramahansa Yogananda use the term to set the tone of critical moments—a moment itself or a rainy morning imbued with sorrow [5, 6]. In works spanning from historical treatises by Livy and Edgar Thurston to Shakespeare’s tragic expressions of destiny [7, 8, 9, 10], "inauspicious" conveys a persistent literary motif: an inherent sense that fate may be adverse, a belief that transcends cultural and temporal boundaries in literature.