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Literary notes about Inarticulate (AI summary)

Writers use the term “inarticulate” to evoke shades of expression that refuse neat verbal encapsulation, capturing feelings and sounds that emerge raw and unformed. In narratives, it often designates murmurs or cries that hint at deeper, sometimes overwhelming emotions—as when a character offers a soft, unformed thanks in a moment of quiet vulnerability [1] or when rage translates into a look of silent, baffling hostility [2]. Beyond human speech, the word extends to describing nature and collective group behaviors, such as a hushed clamor resembling the indistinct noise of animals [3] or even the unstructured force of societal moods [4]. Through its varied deployment, “inarticulate” conveys the tension between inner experience and the limitations of language to fully capture it.
  1. Her sobs broke out afresh, and she murmured some inarticulate thanks to me for not having driven her away from the door.
    — from David Copperfield by Charles Dickens
  2. Only he lay still and wide-eyed with rage, inarticulate, not understanding, but solid with hostility.
    — from The Rainbow by D. H. Lawrence
  3. But perhaps he was speaking now; there was a momentary hush of their noise, inarticulate as that of a troop of animals.
    — from North and South by Elizabeth Cleghorn Gaskell
  4. It was the eager inarticulate uninstructed Mind of the whole Norse People, longing only to become articulate, to go on articulating ever farther!
    — from On Heroes, Hero-Worship, and the Heroic in History by Thomas Carlyle

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