The term "iconoclast" in literature is versatile, often used to denote someone who challenges established norms and venerable traditions. It is applied both literally—to historical figures who defied religious or cultural icons, as in the reference to Mahmud’s legacy [1] or the iconoclast emperor Michael Balbus [2]—and figuratively, as a label for a person whose unconventional ideas disrupt the status quo, like the reformer described in Shaw’s work [3] or the character portrayed as an image-breaker [4]. In some contexts the word evokes a sense of valor and intellectual independence, while in others it carries a touch of irreverence or even irony, as when Time is depicted as a ruthless idol-breaker [5]. Thus, the usage of "iconoclast" in literature richly portrays individuals or forces that undermine accepted symbols for the sake of progress or personal conviction.