In literature the word “ideas” is employed with remarkable versatility, ranging from lofty abstractions to everyday notions. In classical texts, ideas often signal universal or categorical forms; for instance, in Plato’s Meno they are depicted as the general categories under which individual entities are classified [1]. In rhetorical contexts, ideas can be the “mountain peak words” that loom large in a speech’s structure, emphasizing core themes and arguments [2]. Philosophers like John Locke and Arthur Schopenhauer further refine the concept: Locke examines how our understanding is built from simple and compound ideas drawn from sensation and reflection [3, 4], while Schopenhauer contrasts his doctrine of Ideas with that of Plato, highlighting a different metaphysical approach [5]. Meanwhile, in narrative literature, ideas often serve as indicators of character thought or creative spark—ranging from the transformative “ideas of vengeance” [6] to the amusing dismissal of “little ideas” whose impact is unexpectedly nullified [7]. This multiplicity of meanings enriches literary discourse, transforming ideas into both the building blocks of intellectual inquiry and the reflections of everyday experience.