The term “genitive” has been employed in literature both as a technical grammatical descriptor and as a tool for conveying deeper meaning. In classical texts such as Snorri Sturluson’s Edda, the genitive signifies a relationship of belonging or origin—for example, “Ragna” is explained as the genitive plural of a word meaning “of the gods” ([1]). In Latin grammar texts, it appears in discussions of signifiers like gĕn-ĕtivus, indicating origin or possession ([2]), and continues to be discussed in detailed analyses of dependent constructions and case comparisons ([3], [4], [5]). Furthermore, literary works such as James Joyce’s Ulysses exploit the dual nature of the genitive—as both subjective and objective—to express nuanced relationships like “amor matris” ([6], [7]), while other sources extend its discussion to Greek usage and syntactic function within broader linguistic frameworks ([8], [9]). This variety of usage across genres and centuries underscores its enduring role in clarifying relationships between words in diverse scholarly and literary traditions.