The word "glazed" is employed in diverse ways across literary works, often evoking a sense of smooth, reflective surfaces as well as a metaphorical state of dullness or detachment. In descriptions of architecture or mundane objects, it frequently characterizes surfaces finished with a glass-like shine, enhancing both aesthetic detail and clarity—consider its use in portraying windows and doors as possessing a refined, finished quality [1], [2], [3]. Equally, "glazed" is used to convey a lifeless or mesmerized look in characters' eyes, suggesting fatigue, intoxication, or emotional numbness; such a portrayal is evident in depictions of wearied or despondent gazes [4], [5], [6]. In some contexts, the term even extends to culinary arts, where it describes a glossy, sugary finish that adds visual appeal to food [7], [8]. These varied applications underscore the word’s flexibility, enriching both concrete imagery and the portrayal of psychological states.