The term "florist" in literature is employed both in its literal sense—a professional dealing in flowers—and as a symbol of refinement and aesthetic sensibility. In works such as The Age of Innocence [1, 2] and Mosses from an Old Manse [3, 4], the florist is portrayed as a purveyor of beauty whose offerings carry emotional and social significance. Meanwhile, in texts like Pygmalion [5, 6] and An Ideal Husband [7], the term hints at the elegance of cultivated manners and the settings where delicate, genteel interactions unfold. Even in narrative observations—from the practical assistance in a greenhouse mentioned in Louisa May Alcott’s work [8, 9] to the biblical reflection on the beauty of natural forms in the King James Bible [10]—the florist emerges as a figure emblematic of both the art of floriculture and its broader cultural resonance.