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Literary notes about Exponent (AI summary)

The term "exponent" is employed in literature as a multifaceted descriptor of someone or something that embodies or represents a larger idea, quality, or tradition. In some texts it denotes a foundational or canonical example—as seen when the Kojiki is dubbed the "real, the dogmatic exponent" of Shintō [1] and when Hirata is identified as a "famous exponent of Shintō" in his writings on prayer [2]. The word also functions to highlight a personal, almost emblematic role, such as the man portrayed as the "intimate exponent of Sara" after a single encounter [3] or the actor characterized as an "exponent of Shakespeare" on stage [4]. Beyond individuals, "exponent" can refer to a product of a broader cultural or social milieu, exemplified when decorum is described as a "product and an exponent of the leisure-class life" [5]. Even within spiritual or academic contexts, the term stretches to include the representative of ancient practices like yoga [6] and symbolic expressions in literature and art [7]. This versatility is underscored by its occasional technical, mathematical usage, as in the notion of "exponent zero" in polynomial division [8].
  1. The "Kojiki" is the real, the dogmatic exponent, or, if we may so say, the Bible, of Shint[=o].
    — from The Religions of Japan, from the Dawn of History to the Era of Méiji by William Elliot Griffis
  2. Concerning the method and words of prayer, Hirata, a famous exponent of Shint[=o], thus writes:
    — from The Religions of Japan, from the Dawn of History to the Era of Méiji by William Elliot Griffis
  3. He was in this place as the intimate exponent of Sara, though she had only spoken to him once.
    — from A Little Princess by Frances Hodgson Burnett
  4. On the stage, modern or Shakespearean: exemplars, Charles Wyndham, high comedian, Osmond Tearle († 1901), exponent of Shakespeare.
    — from Ulysses by James Joyce
  5. Very fitly does Mr. Veblen, in his interesting book, [11] call decorum "a product and an exponent of the leisure-class life."
    — from Bushido, the Soul of Japan by Inazo Nitobe
  6. " 7-1: Methods of controlling life-force through regulation of breath. 7-2: The foremost ancient exponent of yoga.
    — from Autobiography of a Yogi by Paramahansa Yogananda
  7. As one word may become the general exponent of many, so by association a simple image may represent a whole class.
    — from Biographia Literaria by Samuel Taylor Coleridge
  8. Exponent zero .—Division of polynomials.
    — from The Declaration of Independence of the United States of America by Thomas Jefferson

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