The word "error" in literature is a versatile term that captures both individual misjudgments and broader conceptual flaws. Authors have used it to express personal regret and accountability—as when a character reflects on a faulty judgment in trusting oneself [1] or confesses to having acted hastily [2]. At the same time, thinkers and critics employ "error" to challenge established ideas or technical inaccuracies, as seen in discussions ranging from miscalculations in cartography and historical data [3, 4, 5] to critiques of religious or philosophical doctrines [6, 7, 8]. In more poetic and metaphorical settings, the term transcends its literal meaning to highlight a deeper divergence from truth or ideal form, inviting readers to reflect on the interplay between human fallibility and the pursuit of knowledge [9, 10, 11]. This rich tapestry of usage underscores the term’s enduring power as a device for exploring the consequences of mistakes, whether in the realm of personal behavior or in the fabric of cultural and intellectual life [12, 13, 14].