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Literary notes about Either (AI summary)

The word “either” is a versatile linguistic tool in literature, employed to present alternatives, contrast choices, or emphasize inclusions and exclusions. For example, it is used to list alternative possibilities as in [1], where Turgenev connects “him or my mother,” and in [2], where Molière specifies a movement “either inward or outward.” Its use is not confined solely to binary choices; in descriptive passages like [3] and [4] it helps distribute attributes over different elements or outcomes. At times, “either” appears in negative contexts to reinforce exclusions—for instance, in [5] Shaw’s character refuses to “talk about it either,” or in [6] where a lack of courage is highlighted. Even in more formal or philosophical texts such as [7] and [8], it functions to contrast sequences or abstract options. Across these diverse examples—from epic narratives to philosophical treatises—“either” provides a subtle yet effective mechanism to structure alternatives, balancing language and meaning within the literary form.
  1. You see, he lives thirty versts away only, and it is a long time since last I saw either him or my mother.
    — from Fathers and Sons by Ivan Sergeevich Turgenev
  2. This depends solely on a slight movement of the wrist, either inward or outward.
    — from The Middle-Class Gentleman by Molière
  3. Four spots of down on either of his two cheeks: a blue spot, a purple spot, a green spot, a yellow spot.
    — from The Ancient Irish Epic Tale Táin Bó Cúalnge
  4. They might, in most cases, either reduce him by famine, or tempt him by largesses, to surrender at discretion his judgment to their inclinations.
    — from The Federalist Papers by Alexander Hamilton and John Jay and James Madison
  5. No: she won’t talk about it either.
    — from Mrs. Warren's Profession by Bernard Shaw
  6. You haven't, any of you, the courage either to kill or to flog a man.
    — from The Will to Power: An Attempted Transvaluation of All Values. Book III and IV by Nietzsche
  7. Οὖν , a particle expressing either simple sequence or consequence; then, now then, Mat. 13.18.
    — from A Greek-English Lexicon to the New Testament by William Greenfield
  8. Either then our proposition is certain a priori or it contains nothing for belief.
    — from Kant's Critique of Judgement by Immanuel Kant

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