The term “disobedience” in literature is used in a variety of contexts, reflecting both moral failure and political defiance. In religious and mythological narratives, disobedience is often portrayed as a sin laden with inevitable consequences—illustrated by references to biblical accounts where Adam and Eve bear the burden of their transgression ([1], [2], [3]), while theologians like Saint Augustine extend the meaning to the very nature of sin itself ([4], [5]). In contrast, writers such as Thoreau invoke the notion of civil disobedience as both a personal and political stance against unjust authority, arguing that nonconformity to oppressive laws can be a more noble route than blind obedience ([6], [7], [8], [9], [10]). Additionally, in literature ranging from Chekhov to Fielding and beyond, disobedience is not only a source of punitive measures—be it physical penalties or social ostracism ([11], [12], [13], [14])—but also serves as a catalyst for exploring complex interpersonal dynamics and the tension between individual will and societal rules ([15], [16], [17]). Thus, the diverse use of the term highlights its rich thematic significance, from divine retribution to politically motivated defiance.