The term "disconnected" in literature serves as a flexible tool for conveying fragmentation—whether in thought, narrative, or physical separation. It is applied to describe broken or isolated sketches and ideas that only gain meaning when their disparate parts are temporarily united, as seen in historical commentaries on document drafts [1] and psychological analyses where a world’s parts emerge through pulses of consciousness [2, 3]. In dialogues and internal monologues, disjointed sentences and fragmented speech reflect characters’ inner turmoil or erratic thought processes [4, 5, 6, 7, 8]. Meanwhile, technical descriptions employ the term to denote literal separations of systems or structures, emphasizing how elements can be isolated or even deliberately severed [9, 10]. Through these varied usages, "disconnected" encapsulates both the abstract experience of isolation and the concrete reality of parts set apart, underscoring the rich complexity of literary expression.