The term “detached” manifests a striking versatility in literature, encapsulating both physical and abstract separations. It can denote a literal disconnection, as when an object is removed from another—illustrated by the simple act of separating a gold cigarette-case from a bracelet [1] or the uncoupling of a train car from its engine [2]. At the same time, “detached” often describes an emotional or conceptual state; a character may be portrayed as intentionally withdrawing from earthly passions to attain a state of reflective aloofness [3], or ideas may be rendered abstract, cut off from their practical contexts [4]. This dual capacity to suggest both a tangible separation and a figurative, contemplative stance enriches its literary usage, deepening both narrative detail and thematic complexity.