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Literary notes about Design (AI summary)

Literature employs the term "design" in multifaceted ways, often bridging the gap between purposeful planning and inherent order. It can denote a character’s premeditated scheme or secret plot, as when a hidden agenda disrupts the norms of society or politics [1, 2, 3]. At the same time, "design" frequently stands for the aesthetic or structural arrangement in art and architecture, highlighting a deliberate effort to achieve beauty or unity in composition [4, 5, 6]. Philosophical and theological works extend this notion further by invoking design as evidence of a divine or natural order inherent in the world, suggesting that even disparate elements may form a coherent whole [7, 8, 9]. In these varied usages, the word enriches narratives by drawing attention to both the tacit intentions of individuals and the overarching patterns that shape human experience.
  1. Do you design any thing else by this proceeding in which you are engaged than to destroy us, the laws, and the whole city, so far as you are able?
    — from Apology, Crito, and Phaedo of Socrates by Plato
  2. Their sister Helena, the wife of Constantine, revealed, or supposed, their treacherous design of assassinating her husband at the royal banquet.
    — from The History of the Decline and Fall of the Roman Empire by Edward Gibbon
  3. The execution of their design was opposed by weighty and almost insuperable obstacles.
    — from The History of the Decline and Fall of the Roman Empire by Edward Gibbon
  4. On the application of fire to the whole, this composition turns black, leaving the design strongly outlined.
    — from Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10) by Giorgio Vasari
  5. I feel certain that the old painters, like the Venetians, were far more systematic and had far more hard and fast principles of design than ourselves.
    — from The Practice and Science of Drawing by Harold Speed
  6. There is a particular rhythmic beauty about a well-ordered arrangement of tone values that is a very important part of pictorial design.
    — from The Practice and Science of Drawing by Harold Speed
  7. Such mutual fitting of things diverse in origin argued design, it was held; and the designer was always treated as a man-loving deity.
    — from Pragmatism: A New Name for Some Old Ways of Thinking by William James
  8. or, Why so late?—for the design of Him who sends it is impenetrable by human capacity.
    — from The City of God, Volume I by Bishop of Hippo Saint Augustine
  9. The design may have failed through the disappearance of Hythloday, concerning whom we have ‘very uncertain news’ after his departure.
    — from The Republic of Plato by Plato

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