Literary notes about Conventional (AI summary)
In literature, the term "conventional" is often deployed to evoke a sense of established norms and traditions—whether in language, behavior, or artistic form. Some authors use it to denote the standard or customary mode of expression, as when Thomas Jefferson refers to "conventional tints" in topographical drawing [1, 2] or when Rousseau discusses the conventional form that supplements natural lessons [3, 4, 5]. At the same time, it can serve as a subtle critique, pointing to rigid adherence to tradition that may stifle originality; this is evident in the measured observations of writers like Chekhov and Henry James who note the limitations or mechanical aspects of such practices [6, 7, 8, 9]. Whether highlighting the societal adherence to expected patterns or questioning their creative merit, "conventional" functions as a flexible literary marker—simultaneously descriptive and evaluative—in a wide range of contexts [10, 11, 12].