In literature, the word "concerto" is often adopted to evoke a rich blend of technical sophistication and artistic expression. For example, as seen in [1], Richard Wagner uses the term in connection with Sebastian Bach's Triple Concerto—not simply to denote a musical composition, but to underscore the remarkable interplay between precision and interpretative freedom. This use of "concerto" transcends its musical origins, symbolizing a broader dialogue about creativity and the unexpected ways in which art can both adhere to and diverge from structured norms.