In literature, "conception" functions as a multifaceted term that embodies both abstract ideas and concrete interpretations. It is deployed as a means to articulate underlying principles—ranging from philosophical formulations like the apriority of ethics ([1]) to nuanced psychological or physiological distinctions in understanding human thought ([2], [3]). Authors extend its use to describe religious, social, and even aesthetic constructs, whether by conferring spiritual comfort ([4]), elucidating the evolution of legal and political ideas ([5], [6]), or framing artistic renditions of scientific or mythological phenomena ([7], [8]). Moreover, the term often serves as a bridge between subjective intuition and universal form, enabling discussions that span from the immaterial theories of Kant and Plato ([9], [10]) to reflections on human creativity and originality in literature ([11]).