The word “concept” in literature serves as a versatile and foundational tool for articulating abstract ideas and organizing complex thoughts. In philosophical texts, it is deployed to probe the essence of being and the structure of our reasoning—for instance, the notion of “to be” is intricately examined as a fundamental concept in existential inquiry [1], while Kant and Schopenhauer treat it as a necessary vehicle for bridging intuition and understanding [2, 3, 4, 5]. In other contexts, authors use “concept” as a metaphor or emblem; Nietzsche, for example, employs it to encapsulate transformative values or to critique traditional ideas, as seen in his metaphorical use of “Superman” and his scrutiny of concepts such as truth and duty [6, 7, 8, 9, 10]. Sociological and technological discourses further reveal its dynamic role—ranging from the idea of a unifying language on the Internet to the analytical framework that dissects social forces and progress [11, 12, 13, 14]. Thus, across diverse fields, the term “concept” is not merely a label but a potent, multifaceted construct that underpins both theoretical exploration and practical application in human thought and cultural evolution [15, 16].