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Literary notes about Compliment (AI summary)

In literature, the word “compliment” has been employed with a range of nuances—from straightforward praise to ironic or even dismissive remarks. For instance, in some works a compliment is a direct expression of esteem, as seen when enthusiastic admiration is conveyed in the face of challenging circumstances ([1], [2]), while in others it is used with a touch of irony or minimalism, as characters deny the need to offer any praise at all ([3], [4]). The term also appears in discussions of etiquette and social rituals, where the exchange of compliments becomes a formal mode of polite interaction ([5], [6]). Moreover, authors have used the word to highlight its layered social functions—serving at times as both genuine accolade and subtle commentary on the dynamics of power and respect ([7], [8]). This varied usage not only enriches character interactions but also provides insight into the societal expectations and cultural contexts of the time.
  1. I must compliment you exceedingly upon the zeal and the intelligence which you have shown over an extraordinarily difficult case.”
    — from The Hound of the Baskervilles by Arthur Conan Doyle
  2. I am positive he appreciated the compliment.
    — from Swann's Way by Marcel Proust
  3. I never compliment.
    — from Emma by Jane Austen
  4. “Middling, my dear; I cannot compliment you.
    — from Emma by Jane Austen
  5. Letters of Enquiry , especially if they request a favor, should contain a few lines of compliment.
    — from The Ladies' Book of Etiquette, and Manual of Politeness by Florence Hartley
  6. For compliment, inquiry where there is no intimacy between the parties, from superiors to inferiors, the form is elegant and proper.
    — from The Ladies' Book of Etiquette, and Manual of Politeness by Florence Hartley
  7. It is so clever of them, and such a compliment to art.
    — from The Picture of Dorian Gray by Oscar Wilde
  8. The Deputed have gone, and returned with what highest-flown compliment they could; whom also the Queen met, Dauphin in hand.
    — from The French Revolution: A History by Thomas Carlyle

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