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Literary notes about Colored (AI summary)

The adjective "colored" functions in literature as a versatile descriptor, spanning a range of evocative visual and emotional effects. It is often employed to paint vivid images of physical hues—such as the "blood-colored drapery" [1], a "honey-colored moon" [2], or even "rainbow-colored" nuances that transform a setting into a magical realm [3]—while simultaneously serving as a marker of socio-political identity when referring to race, as in descriptions of "colored women and children" [4] and "colored people" fittingly drawn into the fabric of community life [5]. In its more metaphorical usage, the word touches on mood and perception, coloring experiences with an added layer of optimism or passion, exemplified by a moment "rose-colored" by joy [6] or cheeks briefly flushed in a reaction [7]. This layered employment enriches the narrative, lending both visual texture and symbolic resonance to the text.
  1. “Look at that large clumsy bed, hung with such gloomy, blood-colored drapery!
    — from The Count of Monte Cristo by Alexandre Dumas and Auguste Maquet
  2. Look at that great honey-colored moon that hangs in the dusky air.
    — from The Picture of Dorian Gray by Oscar Wilde
  3. you must see that, you must,” and Alyosha held out two new rainbow-colored hundred-rouble notes.
    — from The Brothers Karamazov by Fyodor Dostoyevsky
  4. There was but one engine in our town, and colored women and children were often required to drag it to the river's edge and fill it.
    — from Incidents in the Life of a Slave Girl, Written by Herself by Harriet A. Jacobs
  5. Many colored people, hitherto unaccustomed to attend church, now gladly went to hear the gospel preached.
    — from Incidents in the Life of a Slave Girl, Written by Herself by Harriet A. Jacobs
  6. It seemed to me that all my life had been narrowed to one perfect point of rose-colored joy.
    — from The Picture of Dorian Gray by Oscar Wilde
  7. When he caught sight of Lord Henry, a faint blush colored his cheeks for a moment, and he started up.
    — from The Picture of Dorian Gray by Oscar Wilde

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