The term coach functions as a vehicle for both literal and symbolic journeys in literature. It frequently denotes a means of transportation that carries characters through significant physical and narrative transitions—from the detailed itineraries and everyday commutes found in the diaries of Pepys ([1], [2], [3]) to the grand processional or dramatic departures in works by Brontë, Dickens, and Austen ([4], [5], [6]). Moreover, coach often stands as a metonym for society’s movement and status, marking shifts in setting or mood as characters move between social milieus or tumultuous events ([7], [8], [9]). Its varied use, whether in a hackney-coach hastily summoned to retrieve someone from a crisis ([10], [11]) or in a stage-coach symbolically ushering in new beginnings ([12], [13]), underscores its enduring role in evoking the dynamics of travel, time, and transformation in narrative art.